The Hot Spot Rating
Alice, Sweet Alice (1976)
Cast: Brooke Shields, Linda Miller, Paula Shepherd,
Director: Alfred Sole
Nutshell: Intriguing and often startling and stylish slasher film, several cuts above usual. A Lovingly crafted and executed movie.
“Communion is a classy chiller on a low budget, and a celebration of cinema at its noirest.” amazon.com
“One of the best low-budget American horror films ever made.” en.wikipedia.org
“Brimming with dynamic set pieces, frightening suspense, and clever story twists…one of the greatest of its decade.” genregrinder.com
“A gritty, disturbing and well-crafted horror tale that has aged remarkably well.” filmpulse.net
“Inventive, gleefully gory deaths were the primary selling point…” mondo-digital.com
In 1961, Patterson, New Jersey, was hard times for a state sometimes referred to as the armpit of the USA. The boom of the 50s had ebbed and slowed to a virtual halt, the war in the Middle East was driving fuel prices ever higher, and unemployment was swelling steadily. The famed riots of New York City were in the not-too-distant future as the Big Apple and its surrounds struggled to shake a growing malaise.
Two young sisters share an orthodox Catholic home but not much else. The elder one is sullen and moody with a grudge against her gorgeous little sister, who hogs the limelight whenever the two are together. While young Karen (Brooke Shields) captivates and delights, the elder Alice creates tension and uneasiness, with her nasty streak often getting the better of her. She finds her life unbearably crushed by her little sister, and the resentment bristles in every bone in her body. Karen is everybody’s favourite, while dowdy, ugly Alice is merely an unfortunate accident. She views her world and tries to escape by playing pranks on people, scaring people and generally enjoying watching others squirm—nothing too serious; a cockroach here, a scary mask somewhere else.
Mother constantly scolds Alice and blames her for anything that goes wrong, yet she doesn’t know how to get through to her. Then at the Communion, a chilling knife-wielding figure in a ghastly macabre mask grabs the young Karen, stabbing her before dragging the body away and setting fire to her tiny corpse.
Suspicion of the murder starts to mount on Alice as her odd and often unsavoury behaviour comes to light, and there are further killings with the masked figure striking viciously repeatedly. Alice’s mother is convinced that her daughter is not a murderer, but the mounting evidence seems to point in her direction. The body count mounts, and the noose around Alice’s neck tightens, but it’s not long before the killer is revealed and there is still time for another surprisingly gruesome little kill.
Alice Sweet Alice is miles superior to the torrent of Slasher films that emerged after Halloween and Friday the 13th. It doesn’t go by the staple slasher movie formula at all and follows more along the lines of films like Diabolique and the work of Alfred Hitchcock. This is not the typical Teenage slasher film that flew off conveyor belts in the late 70s and early 80s, but far more textured, and there was hardly a teenager in sight.
